I am a bit behind recapping the Philosophy and Theory of Higher Education Society (PaTHES) season on slow academia. I am blaming covid fog — it is no joke — on everything I have left undone, half-done or poorly done, but it does seem to be improving. The fourth session focussed on intersubjectivity, or how we theorise our connections with others and how we think together. We were a group of people from several places — Australia, New Zealand, Denmark, Finland, Georgia, South Africa, England and more — who had not met as a group previously. You can access the slides below.
We started slowly with an active listening activity (based on this Reflection for Learning Circle video). Listening is always a challenge for me (I hope I am getting better) and I think often of Maggie Nelson’s comment in her memoir The Argonauts about talking too much and redirecting student discussion as a teacher: “I’m not saying this is good pedagogy. I am saying that its pleasures are deep.” Barbara Grant, who chaired these sessions, shared a story of putting aside her reading (Stephanie Dowrick’s In the Company of Rilke, which sounds fabulous) to enjoy the physicality of being in place. She described the weather, the birds, and the quiet of a New Zealand morning immersed in nature, sensation and thought.
The discussion continued to meander through ideas from previous sessions on slow, self and place: the ”sensory mingling” of research, multiple accounts of the self, and encounters on university campuses. We followed the idea of the self as constituted socially — thinking with Merleau-Ponty (1968) about subjectivity as the threshold or fold between the other, the world and the self. In The Visible and the Invisble, he wrote:
“We must accustom ourselves to understand that ‘thought’ is not an invisible contact of self with self, that it lives outside of this intimacy with oneself … It is the invisible hinge upon which my life and the life of the others turn to rock into one another, the inner framework of intersubjectivity.”
We talked about collaborating with colleagues and collaborating with students. Book and article recommendations were exchanged, and my to-be-read (or re-read) collection grows ever larger. These readings were highlighted:
- Feldt, J. E., & Petersen, E. B. (2021). Studying as Experimentation: Habits and Obstacles in the Ecology of the University. Philosophy and Theory in Higher Education, 3(3), 55-67. .
- Gill (2009) Breaking the silence: The hidden injuries of neoliberal academia. In (Eds.) Ryan-Flood & Gill, Secrecy and Silence in the Research Process: Feminist Reflections, pp 228-244. London: Routledge.
- Grant, B. M. (2010). Improvising together: The play of dialogue in humanities supervision. Arts and Humanities in Higher Education, 9(3), 271–288.
- Henderson, L., Black, A., Garvis, S. (eds) (Re)birthing the Feminine in Academe. Palgrave Macmillan, Cham.
- Kelly, F. (2020) ‘Hurry up please, it’s time!’ A psychogeography of a decommissioned university campus, Teaching in Higher Education, 25(6), 722-735.
- Kern, L., Hawkins, R., Al-Hindi, K. F., & Moss, P. (2014). A collective biography of joy in academic practice. Social & Cultural Geography, 15(7), 834–851.
- Lynch (2010) Carelessness: A hidden doxa of higher education. Arts & Humanities in Higher Education, 9(1), 54-67.
- Mountz, A., Bonds, A., Mansfield, B., Loyd, J., Hyndman, J., Walton-Roberts, M., Basu, R., Whitson, R., Hawkins, R., Hamilton, T., & Curran, W. (2015). For slow scholarship: a feminist politics of resistance through collective action in the neoliberal university. ACME: An International Journal for Critical Geographies, 14(4), 1235-1259.
There were many book recommendations spanning diverse disciplines and eras. All contributed to a rich conversation about our relationships with others.
Emily Ogden’s On Not Knowing: How to Love and Other Essays (I have not yet read it) stimulated conversation. This interview with Ogden is rich and thought-provoking. She is asked: How did you organise the essays in the book? And answers:
“With great difficulty. I would have liked the reader to read all the chapters simultaneously. But I knew it began with an antithesis between minnows and whales, ended with Fellini’s Nights of Cabiria (1957), and told — among other stories — the story of my children’s birth in between. So, I started with a few fixed points and went from there. In the composition, many of the essays posed a question that a subsequent essay would then try to answer. So, I tried to keep some of those in their composition order … The most important notion about the genre of the essay, for me, was … the idea that an essay should send the reader back to their own thoughts. I wanted to prompt thought, not solve problems.”
In our discussion, we considered what we ask of students’ essays, and speculated about writing and reading essays to prompt thought, and what grading and feedback might look like.
We wrapped up with a discussion of collegiality in academia, challenged by Giedre Kligyte & Simon Barrie’s (2014) article in which they discuss collegiality as a governance and decision-making structure, allegiance to disciplinary knowledge communities and/or a behavioural norm:
“The idea of collegiality is tinged with nostalgia for the idealised harmonious past, where, it is imagined, academics had the time and opportunities to engage in significant research, excite and inspire bright young minds through teaching, participate in and contribute to institutional and disciplinary academic communities, think, reflect and, generally, do self-determined meaningful work … This idealised imaginary is contrasted with the well-documented confusion, isolation, anger and dismay that many academics feel when experiencing competing demands in universities today.”
We didn’t linger with the bad feelings for too long. As one participant summed it up: “We’re exploring a certain form of being together that’s not merely the ‘Being-with’ (Mitsein) in Heidegger — which is neutral and almost like an environment or furniture (but it’s people) — so I sense a joy and kindness in the being-together.” As Rilke put it, “Ah, how good it is to be among people who are reading.”