A couple of weeks ago, I hosted a writing retreat at home with former colleagues and current co-authors Lilia Mantai and Vanessa Fredericks.
We are finalising a journal article on time pressures for PhD candidates and early career academics. The retreat immersed us in writing away from the interruptions of the office. Planning and writing was interspersed with conversation, food and laughter. (This off the shelf vegan cheesecake was a hit).
Much as I would love a lengthy writing retreat in an exotic locale—I dream of attending one of Helen Sword’s—writing from home appeals to the frugal hedonist in me.
Collaborative writing was not the norm in my first discipline (Cultural Studies) but is common in Education. Indeed, many of my colleagues in Higher Education have few publications as a single author. The change of discipline and shift to co-authoring has proved fruitful for my research output.
My academic positions to date have been teaching and learning or administration focussed, so research has typically constituted 20% of my workload. Until this year, I was part-time (three days a week from 2010-2017 and four days a week in 2018). Twenty percent of a part-time job does not allow a lot of time for research!
I recently updated my count of co-authors. Since graduating from my PhD in 2010, I have published 25 book chapters, journal articles and conference papers. I was sole author on just 6 of these, and have written with a grand total of 28 different people (often more than once). I am not including chapters and articles currently in press (one of which has seven authors!)
The benefits of writing in company go far beyond increased publication outputs.
I have learned a lot from co-authors—working with theory, research methodologies, the craft of writing and academic publication processes. Colleagues and I have written about the friendship and intimacy that develops through writing together. Above all, collaborative writing has been a lot of fun!
The experience is captured in Laurel Johnson, Sonia Roitman, Ann Morgan and Jason MacLeod’s (2017) article ‘Challenging the productivity mantra: academic writing with spirit in place’. The location of their writing group in members’ homes in a particular suburb of Brisbane is noteworthy:
Most members live in the area. They have chosen to live in this community due to its affordability but also its diversity and difference compared to the balance of the city. The suburb provides cultural safety for some members. The suburb is not the usual residential address for the city’s academics. The site is stigmatised and it is distant from the city’s universities. The choice to reside and meet here illustrates a point of difference for the writing group membership compared to other academic writing groups …
The move away from the place of work to home for meetings changed the quality and function of the group. The writing group members began to share more of themselves and their lives. The group membership expanded to include local residents (such as creative writers and community and ethnic leaders). The membership diversified … As well as challenging typical academic writing styles, group members came to know each other as friendships formed, bonded around place, interests, identity and shared concerns and values.
The emphasis on place and home has added a spiritual dimension:
The value of a diverse and mixed academic and non-academic membership, a shared commitment to social justice, the relational and democratic processes of the group and the importance of place (off campus in a socially disadvantaged suburb in the city) work together to engender a humanistic spirituality in the group. The value … to its members transcends the expected material benefits of increased writing production, a regular writing habit and consistent writing review. The non-material benefits of a shared community of practice, the renewal of ideas and affirmation of shared humanistic values, connection and empathy with others and permission to flourish as writers and people, bring spirit to the group.
I can only aspire to writing with spirit in place. But Lilia, Vanessa and I have made a start—reading Derrida, eating soup, looking at trees out the window and writing together.
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